
David Lang's "the public domain"
Clip: Season 42 Episode 1 | 46m 45s
World premiere of the Pulitzer Prize-winning composer's monumental work for 800 voices.
Described by New York Times music critic Anthony Tommasini as "the most inspiring feel-good performance of 2016," this unforgettable event, commissioned by Lincoln Center's Mostly Mozart Festival, brought 3,000 people together on one of the hottest days of the summer to experience the beauty of the human voice.
Problems playing video? | Closed Captioning Feedback
Problems playing video? | Closed Captioning Feedback
Live From Lincoln Center is made possible with support from the Family of Robert Wood Johnson III, the Audrey and Martin Gruss Foundation, The Robert and Renée Belfer Family Foundation, Mercedes T. Bass, and the National Endowment for the Arts.

David Lang's "the public domain"
Clip: Season 42 Episode 1 | 46m 45s
Described by New York Times music critic Anthony Tommasini as "the most inspiring feel-good performance of 2016," this unforgettable event, commissioned by Lincoln Center's Mostly Mozart Festival, brought 3,000 people together on one of the hottest days of the summer to experience the beauty of the human voice.
Problems playing video? | Closed Captioning Feedback
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Claire Chase and Rand Steiger: Mostly Mozart's "50 for 50"
Clip: S42 Ep1 | 10m 10s | The flutist and founder of the International Contemporary Ensemble premieres a new work. (10m 10s)
Claire Chase, flute and piccolo: Mostly Mozart's "50 for 50"
Clip: S42 Ep1 | 2m 40s | The prodigious founder of the International Contemporary Ensemble premieres new work. (2m 40s)
Nathan Davis, dulcimer: Mostly Mozart Festival's "50 for 50"
Clip: S42 Ep1 | 13m 26s | The acclaimed dulcimer player premieres his new work, "Quatre Huîtres," at Lincoln Center. (13m 26s)
"Shiver Lung 2" by Ashley Fure: Mostly Mozart's "50 for 50"
Clip: S42 Ep1 | 12m 34s | The music of this adventurous composer receives a crackling premiere via subwoofer sound. (12m 34s)
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Live From Lincoln Center is made possible with support from the Family of Robert Wood Johnson III, the Audrey and Martin Gruss Foundation, The Robert and Renée Belfer Family Foundation, Mercedes T. Bass, and the National Endowment for the Arts.